red.workflow

 

AVID EDITORIAL WORKFLOW
A number of pathways exist for Avid editorial as well.

REDCINE generates DNX HD QuickTime movies that can be imported into Avid systems that support the DNX codec and generate the MXF wrapped media required for Avid editorial.

Using Scratch, equipped with an NVIDIA Graphics card with HD-SDI output, or an Apple computer with FCP 6.0.2, REDCODE™ RAW codec and an AJA Kona 3 card, you can create a realtime high quality proxy layoff to HD videotape at either 1080p or 720p. Then ingest into Avid in a traditional fashion for offline editing. By using an Avid ALE file, you can track and link the tape timecode to the camera original timecode of the REDCODE™ RAW files for matchback capabilities.

Those editors familiar working with tape based or data based footage from telecine, and then prepping those files for Avid editorial using linked timecode and / or edgecode techniques to match to the time code on tape will be comfortable working with RED footage in much the same way.

WORKFLOW
2K OR 4K DI FINISH
AVID EDITORIAL WORKFLOW